This sculptural installation is made from white clay and aluminium wire, shaped slowly over more than a year. Each piece was formed individually, by hand, and then gradually clustered, the forms beginning to gather and respond to one another rather than stand alone. What emerged was not a single object but a system: many small beings in relation.

The work draws on biomimicry and systems thinking, not as metaphor but as a way of listening to what the more-than-human world already knows. The white clay carries its own softness and porosity. The aluminium wire holds each form while remaining almost invisible, a quiet architecture of support. Hung from the ceiling, the clusters seem to float, and the relationships between them become as important as the pieces themselves.

There is no centre. No single point of origin. The installation became itself through accumulation, through the slow accumulation of small decisions, each shaped by the one before it, the way mycelium threads through soil or a colony slowly takes form.

What it holds is a question rather than an answer. What does intelligence look like when it is distributed rather than held? What happens when we stop looking for the centre and start noticing the relationships?